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Four Saxophones of the Apocalypse

by Kyle Vanderburg

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  • Digital Album
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    Includes sheet music - Score and 4 parts.
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1.
2.
II. War 02:05
3.
III. Famine 02:08
4.
IV. Death 02:04

about

I wrote The Four Saxophones of the Apocalypse in college mostly as a joke, and this piece just won't go away. Pestilence begins surprisingly tonal, almost whimsical, before easing into a state of dissonance which becomes more atonal throughout the movement, much like a plague. Many of the ideas for later movements show up first in this movement, which serves as a revelation of what is to come. The second movement, War, begins with a theme presented in the baritone saxophone before falling into a rhythmic pattern of impending doom. The theme is presented again, and is subsequently passed through all four voices. Famine is fugal in nature, however instead of using consonant intervals of thirds, fifths, sixths, and octaves, I opted to break those rules and use the less-pleasant intervals of seconds, tritones, and sevenths. Death starts out, and for the most part stays, in 12-tone. After several minutes of dissonance, each of the four saxophones start playing a theme from an earlier movement, which eventually ends in quiet solitude.

credits

released November 29, 2006

Amanda Martin, Mandee Osterloh, alto saxophones, Kristen Trimmel, tenor saxophone, Maggie Gann, bari saxophone at Drury University, Springfield, Missouri.

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about

Kyle Vanderburg Fargo, North Dakota

Composer and Sound Artist Kyle Vanderburg grew up in Missouri where the Ozarks meet the Mississippi River valley. Raised on southern gospel and American hymnody, his music tries to walk the line between eliciting nostalgia and devising innovative sonic worlds. His electronic works place familiar sounds in new contexts, his acoustic works feature catchy melodies and too many time signatures. ... more

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